X Files Season 10 Home Again

Flavour of the science fiction Boob tube series

Flavor of idiot box series

The X-Files
Flavor one
DVD embrace
Starring	David Duchovny Gillian Anderson
Country of origin	United States
No. of episodes	24
Release
Original network	Fox
Original release	September ten, 1993 (1993-09-ten) – May xiii, 1994 (1994-05-13)
Flavor chronology
Next → Flavor two
Listing of episodes

The first season of the science fiction television series The X-Files commenced ambulation on the Fox network in the Us on September x, 1993, and concluded on the same channel on May 13, 1994, later on airing all 24 episodes.

The offset season introduced main characters of the series, including Fox Mulder and Dana Scully who were portrayed by David Duchovny and Gillian Anderson, respectively, and recurring characters Deep Throat, Walter Skinner, and Cigarette Smoking Man. The season introduced the series' primary concept, revolving around the investigation of paranormal or supernatural cases, known equally Ten-Files, by the Federal Agency of Investigation; it also began to lay the groundwork for the series' overarching mythology.

Initially influenced past Kolchak: The Night Stalker and The Twilight Zone, series creator Chris Carter pitched the idea for the series to Fox twice before it was accepted for production. The season saw the serial quickly gaining popularity, with ratings ascension steadily throughout its run; and garnered by and large positive reviews from critics and the media. Information technology helped to make stars of its 2 atomic number 82 roles, and several of its taglines and catchphrases have since get cultural staples.

Concept and themes [edit]

Although Carter initially conceived of the series based on the influence of Kolchak and The Twilight Zone, he has stated that the "leaping-off point" for the serial' overall concept came from UFO lore. After existence introduced to the works of John Eastward. Mack—especially a study by Mack which had reported that three per centum of Americans claimed to have been abducted past aliens—Carter believed he had plant his key theme.^[ane] It was decided that the series would focus on the FBI in order to avoid something Carter had seen equally a failing in Kolchak, whereby mysterious events would continually occur in one locale and be accidentally uncovered by the aforementioned character—by creating a fictional FBI unit which actively uncovered these paranormal cases, information technology was felt that the series would be "sustainable week afterwards week without stretching the parameters of credibility".^[2] Early in the planning stages, Carter had envisioned that a significant proportion of the episodes would bargain with investigations which uncovered hoaxes or cases which had been mistakenly viewed as paranormal. Although this determination never came to laissez passer, the third-season episode "Jose Chung's From Outer Space" can be seen every bit a holdover from the idea.^[3]

The series revolves around its two main characters, which had been defined early on in conception as the "believer" and the "skeptic".^[3] Of these, the "believer", Flim-flam Mulder, was created with a graphic symbol-defining personal motivation, involving the disappearance of his younger sister during his childhood, which he would believe to exist a result of alien abduction.^[ii] The creation of the "skeptic", Dana Scully, was influenced by Jodie Foster'south portrayal of Clarice Starling in The Silence of the Lambs, leading the coiffure to make up one's mind that the character needed to seem "real", every bit opposed to the "bombshell" type of character the studio was pressing for.^[iv]

Thematically, although the series focused heavily on alien abduction lore,^[5] the decision was made early on to allow the plots of individual episodes to branch out into different territories in order to preclude the overarching plot from running out of momentum, which led to standalone episodes such as "Squeeze" being adult.^[6] The variety of storylines which the serial has shown has led managing director Daniel Sackheim to notation that "The 10-Files has sort of found its own style in that it doesn't have a confined style to information technology", adding that the serial' "fluid" approach has meant that "everybody who comes on the testify endeavor to make a little scary movie".^[7] To this end, several episodes feature varying plots, with alien-influenced storylines varying between "Water ice", a "briskly-paced" episode set in a single location,^[8] and the character-driven "Conduit", which served to fill in groundwork on the characters.^[nine] Elsewhere, plots focused on soul transference or reincarnation, with the episodes "Shadows", "Born Once again" and "Lazarus" sharing similar storylines.^[10] The plot of "Ghost in the Machine" featured a malevolent artificial intelligence;^[viii] while "Shapes" introduced the first of what would go several Native American-themed episodes.^[11]

The first season also introduced a number of minor characters who would go on to become fundamental figures to the series—The Lonely Gunmen, first seen in "E.B.E.", would become regular characters beginning the second season, eventually starring in the spin-off serial The Lone Gunmen; whilst the episode "Tooms" introduced Walter Skinner, portrayed past Mitch Pileggi, who would become on to be billed as a series star by the ninth season.^[12] The abduction of Mulder's sister Samantha was explored in the episodes "Pilot", "Conduit", and "Phenomenon Man", and would go on to become one of the primal themes of the serial as a whole.^[13]

Production [edit]

Development [edit]

California native Chris Carter was given the opportunity to produce new shows for the Fox network in the early 1990s. Tired of the comedies he had been working on for Walt Disney Pictures,^[14] inspired past a written report that 3.7 million Americans may accept been abducted past aliens,^[xv] and recalling memories of Watergate and the 1970s horror serial Kolchak: The Dark Stalker, Carter came up with the idea for The X-Files and wrote the airplane pilot episode himself in 1992. He initially struggled over the untested concept—executives wanted a love involvement for Scully—and casting. The network wanted either a more established or a "taller, leggier, blonder and breastier"^[16] extra for Scully than the 24-year-sometime Gillian Anderson, a theater veteran with small-scale moving picture experience, who Carter felt was the simply pick subsequently auditions.^{[17] [xviii]}

Carter'southward initial pitch for The X-Files was rejected by Fox executives. He fleshed out the concept and returned a few weeks later, leading to the committee of the pilot. Carter worked with NYPD Blueish producer Daniel Sackheim in further developing the pilot, drawing stylistic inspiration from the 1988 documentary The Sparse Blue Line, and the English television receiver serial Prime Suspect.^[xix] Inspiration was besides taken from Carter'due south memories of watching Kolchak: The Nighttime Stalker and The Twilight Zone in his youth; equally well as from the then-recently released motion picture The Silence of the Lambs, which was the impetus for framing the serial around agents from the FBI, in order to provide the characters with a more than plausible reason for being involved in each case than Carter believed was nowadays in Kolchak.^[xx] Carter was also neat on keeping the relationship betwixt the ii lead roles strictly ideal, basing their interactions on the characters of Emma Peel (Diana Rigg) and John Steed (Patrick Macnee) in the series The Avengers.^{[3] [21]}

During the early on stages of production for the series, Carter founded Ten Thirteen Productions, and began to program for filming the pilot in Los Angeles. Even so, unable to find suitable locations for many of the scenes, Ten Xiii Productions fabricated the decision to "become where the good forests are", and moved production to Vancouver,^[22] where the serial would remain for the adjacent five seasons; production would eventually shift to Los Angeles offset with the sixth season.^[23] It was shortly realized past the production crew that since so much of the first flavor would require filming on location, rather than on sound stages, two location managers would be needed, rather than the usual ane.^[24]

Casting [edit]

David Duchovny had worked in Los Angeles three years prior to The X-Files, and at first had wanted to base his acting career effectually films. Merely in 1993 his director, Melanie Green, gave him a script for the pilot episode of serial. Green and Duchovny were both convinced it was a good script, so Duchovny auditioned for the lead.^[25] When Duchovny was auditioning for the office of Play a trick on Mulder, he made a "terrific" audition, merely spoke rather slowly. Chris Carter thought at the start of the auditioning for the character, he was a "good gauge of graphic symbol", and idea that Duchovny wasn't rather "bright". So he went and talked to Duchovny and asked him if he could "delight" imagine himself as an FBI amanuensis for the "futurity" week. The casting director of the prove was very positive towards him. Co-ordinate to Carter, Duchovny turned out to be ane of the best-read people he knew.^[26] Carter recalls beingness contractually obliged to provide Fox with a choice of ii actors for the role; however, he was confident Duchovny was the right choice from the outset.^[27] Later getting the role, Duchovny thought the show wouldn't final for long or that information technology wouldn't make much impact.^[28]

Gillian Anderson was bandage due to insistence from Carter that she would fit the role perfectly; however, Fox executives had wanted a more glamorous "bombshell" for the office, hoping that this would lead to the serial involving a romantic chemical element. This led Carter to insist that he did not desire the roles of Mulder and Scully to become romantically involved, citing the relationship between the lead roles in Moonlighting as an example to avoid.^[29] Anderson called her early work on the show "a consummate learning experience for me – the pilot was just the second fourth dimension I'd been in front of a camera".^[fifteen]

The series also introduced the graphic symbol of Walter Skinner, played by Mitch Pileggi, who would continue to go a recurring, and later, master character in the prove. The graphic symbol had been conceived every bit playing against the stereotypical bureaucratic "newspaper-pusher", being instead someone more than "quietly dynamic".^[30] Pileggi had auditioned unsuccessfully for several other parts on the serial before being cast equally Skinner. At commencement, the fact that he was asked dorsum to audition for the role had puzzled him, until he discovered the reason he had non cast for the previous parts—Chris Carter had been unable to imagine Pileggi every bit whatsoever of those characters, due to the fact that the actor had been shaving his head. When Pileggi attended the audition for Walter Skinner, he had been in a grumpy mood and had allowed his small amount of hair to grow back. Pileggi'due south attitude fit well with the character of Skinner, causing Carter to presume that the thespian was just pretending to be grumpy. Subsequently successfully auditioning for the role, Pileggi thought he had been lucky that he had not been bandage in ane of the earlier roles, as he believed he would take appeared in only a single episode and would have missed the opportunity to play the recurring role of Walter Skinner.^[31]

Glen Morgan and James Wong's early influence on The 10-Files mythology led to their introduction of popular secondary characters who would continue for years in episodes written by others, such as the Scully family—Dana's father William (Don Due south. Davis), female parent Margaret (Sheila Larken) and sister Melissa (Melinda McGraw)—as well equally conspiracy-buff trio The Lonely Gunmen.^[32]

Writing [edit]

Initially, there was no certainty as to how long the series would go along for,^[33] and as a result there was no long-term plan in the beginning to guide its writers.^[34] Although the initial impetus for the show was based on conflicting abduction lore,^[5] the coiffure believed that the serial would not be able to maintain its momentum for long if information technology did not branch out into different plot ideas.^[6] The show'due south first season thus featured numerous standalone stories involving monsters, and as well diverse alien or governmental comprehend-ups, often with no apparent connection to each other—such every bit the Arctic space worms in "Ice", and the conspiracy of genetically engineered twins in "Eve". Carter himself wrote "Infinite", an intended bottle episode most the manifestation of an alien "ghost" in the NASA space shuttle programme, which was subject to cost overruns and became the most expensive of the first season.^[35]

Past the finish of the first season, Carter and his staff had come up up with many of the general concepts of the mythology that would concluding throughout all ix seasons. The beginning season introduced the series' primary adversary, Cigarette Smoking Man,^[36] and gave early on insight into the disappearance of Mulder'southward sister Samantha, whose abduction provided one of the main plot threads of the series as a whole.^[13] The emergent mythology was farther solidified in the Carter-penned, Edgar Award-nominated flavor finale "The Erlenmeyer Flask".^[37] The episode was written in early on 1994 before it was known whether or not the series would exist renewed for a second season, and featured the closure of the 10-Files unit and the reassignment of Fox Mulder and Dana Scully to new jobs within the FBI. The finale was the first episode directed by R. Due west. Goodwin, who had served every bit producer for the series.^[34]

Bandage and crew [edit]

Main bandage [edit]

• David Duchovny as Special Agent Fox Mulder
• Gillian Anderson as Special Amanuensis Dana Scully

Recurring cast [edit]

• Jerry Hardin as Deep Throat
• William B. Davis equally Cigarette Smoking Man
• Doug Hutchison as Eugene Victor Tooms
• Charles Cioffi as Scott Blevins
• Mitch Pileggi as Walter Skinner
• Bruce Harwood as John Fitzgerald Byers
• Tom Braidwood as Melvin Frohike
• Dean Haglund as Richard Langly
• Zachary Ansley as Billy Miles
• Scott Bellis as Max Fenig
• Don S. Davis as William Scully
• Lindsey Ginter every bit Crew Cut Man
• Sarah Koskoff as Theresa Nemman
• Sheila Larken equally Margaret Scully

Writers and producers [edit]

Series creator Chris Carter also served as executive producer and showrunner and wrote nine episodes. Co-executive producers and writing team Glen Morgan and James Wong wrote 6 episodes. Supervising producers and writing team Alex Gansa and Howard Gordon wrote v episodes together, with Gordon co-writing an boosted script with Carter. Co-producers and writing squad Larry and Paul Barber wrote one episode. Executive script consultant Chris Ruppenthal wrote 1 episode. Kenneth Biller and Chris Brancato co-wrote a freelance script. Other freelance writers included Scott Kaufer and Marilyn Osborn, who each wrote one episode. Other producers included line producer Joseph Patrick Finn and co-producer Paul Rabwin.

Directors [edit]

David Nutter directed the almost episodes of the first season, directing six. "Pilot" supervising producer Daniel Sackheim directed two episodes. Other directors that directed two episodes included Jerrold Freedman, William Graham, Michael Lange, Joe Napolitano and Larry Shaw. I-episode directors included Rob Bowman, Fred Gerber, co-executive producer R. W. Goodwin, Michael Katleman, Harry Longstreet and Robert Mandel who directed the airplane pilot episode.

Episodes [edit]

Episodes marked with a double dagger (‡) are episodes in the serial' alien mythology arc.^{[38] [39]}

Reception [edit]

Error: No valid link was found at the stop of line 23.

Ratings [edit]

From the outset, viewing figures for the serial were skillful, with the initial circulate of "Pilot" being watched by 7.iv 1000000 households, which constituted 15 pct of the viewing audience at the fourth dimension.^[64] The serial was broadcast directly afterward episodes of The Adventures of Brisco County, Jr., and saw a refuse in viewing figures when that series began to falter.^[65] The season—and series as a whole—reached a depression with "Fallen Angel", which was viewed past just five.1 one thousand thousand households.^[65] However, after the episode aired, the numbers began to rise steadily once again, reaching a peak for the season with "The Erlenmeyer Flask",^[65] which was viewed past 8.3 million households, 16 percent of the available audience.^[64] At the conclusion of the 1993–94 television flavour, The 10-Files ranked 105th out of 128 shows.^[66] The ratings were not spectacular, but the series had attracted enough fans to be classified as a "cult hit", particularly by Play a joke on standards, and was later on renewed for a second flavour.^[67]

Reviews [edit]

Reviews for the first season were generally positive,^[68] with the serial being described every bit "the most paranoid, subversive show on TV",^[69] and the writing beingness chosen "fresh without being cocky-conscious, and the characters are involving. Series kicks off with drive and imagination, both innovative in recent Tv".^[70] The flavor as a whole currently holds an 83% rating on review aggregator website Rotten Tomatoes, based on 35 reviews, with a disquisitional consensus stating, "A serious arroyo to its premise helps plant The X-Files every bit a sci-fi procedural with a genuinely creepy twist – and a thrilling drama that avoids devolving into pure army camp."^[71] On Metacritic, the season scored 70 out of 100, based on xiv reviews, indicating "Generally favorable reviews".^[72] Writing for IGN, Mike Miksch noted that "some of the episodes were at a level of excellence that still hasn't been matched since"; adding that the serial has "become almost equally integral to pop civilisation today as whatsoever show in history".^[73] Bill Hunt of The Digital Bits gave the flavour an "A", stating "The X-Files is a show that dared to be different, and different information technology was". Hunt described the evidence's cinematography as "hit and noir-ish".^[74] Anna Johns, writing for TV Squad, called the season "phenomenal" and added that it contains "many terrific episodes".^[75]

Several episodes were widely praised, including "Squeeze", which has been called "profoundly creepy";^[8] the "taut and briskly paced" Arctic-ready "Water ice";^[viii] and the "remarkably spooky" Scully-centered episode "Across the Sea".^[76] Notwithstanding, non all episodes of the flavour were likewise received. Despite the costly production of "Space", the episode was derided as "decidedly unscary" and "a little tasteless" in its treatment of the Challenger disaster.^[77] "The Jersey Devil" was described equally "pretty lightheaded",^[ix] whilst the plots for "Shadows", "Built-in Again", and "Roland" were panned for being much too similar to each other.^[ten]

Accolades [edit]

The commencement season received two Primetime Emmy Accolade nominations, with one win. Composer Marking Snow was nominated for Outstanding Individual Achievement in Primary Title Theme Music, while title designers Bruce Bryant, James Castle and Carol Johnsen won for Outstanding Individual Achievement in Graphic Blueprint and Championship Sequences.^[78]

DVD release [edit]

The X-Files – The Complete First Season
Set up details [twoscore]				Special features [40]
24 episodes vii-disc set up one.33:1 aspect ratio Subtitles: English, Spanish English (Dolby ii.0 Surroundings)				"The Truth Almost Flavour I" documentary Chris Carter talks virtually 12 episodes: "Airplane pilot", "Deep Pharynx", "Squeeze", "Conduit", "Ice", "Fallen Angel", "Eve", "Beyond The Bounding main", "Due east.B.Due east", "Darkness Falls", "Tooms", and "The Erlenmeyer Flask" Special effects clip from "Fallen Affections" Deleted scene from "Pilot" 11 "Behind-the-truth" spots from F/X 47 promotional television spots "Paranormal and Conflicting Abduction Trivia and Weblinks Cantankerous Reference of 24 Previews DVD-ROM Games
Release dates
Region 1		Region 2		Region 4
May 9, 2000 (2000-05-09)		Nov 6, 2000 (2000-eleven-06)		November 22, 2000 (2000-eleven-22)

References [edit]

1. ^ Edwards, p.11
2. ^ ^{a b} Lowry, p.11
3. ^ ^{a b c} Edwards, p.12
4. ^ Lowry, p.15
5. ^ ^{a b} Edwards, pp.11–12
6. ^ ^{a b} Chris Carter (narrator). Chris Carter Speaks about Flavour 1 Episodes: Squeeze (DVD). Fox.
7. ^ Edwards, p.fourteen
8. ^ ^{a b c d} "X Concordance: The Ultimate Episode Guide, Season I". Entertainment Weekly. November 29, 1996. Retrieved Dec 9, 2021.
9. ^ ^{a b} Phipps, Keith (June 27, 2008). "The 10-Files: "Conduit" / "The Jersey Devil" / "Shadows"". The A.V. Club . Retrieved December ix, 2021.
10. ^ ^{a b} Handlen, Zack (Baronial 8, 2008). "The Ten-Files: "Born Again" / "Roland" / "The Erlenmeyer Flask"". The A.5. Club . Retrieved Dec 9, 2021.
11. ^ Cantor, p.158
12. ^ Spotnitz, Frank; Gilligan, Vince; Shiban, John; Carter, Chris; Elwes, Cary; Patrick, Robert; Manners, Kim; MacLaren, Michelle; Kaplan, Corey; Beck, Mat; Rabwin, Paul; Mungle, Matthew; Amann, David; Montesanto-Medcalf, Cheri; Wash, John; Roe, Bill and Reynolds, Burt (2002). The Truth Backside Season 9 (DVD). Pull a fast one on Home Entertainment.
13. ^ ^{a b} Bush, p.43
14. ^ Edwards, p.nine
15. ^ ^{a b} Apello, Tim (March 18, 1994). "'X-Files' appeal". Entertainment Weekly . Retrieved Dec 9, 2021.
16. ^ Maher, Kevin (March 29, 2007). "Interview with Gillian Anderson". The Times . Retrieved September 13, 2011.
17. ^ Lowry, pp.xv–16
18. ^ Ryan, Maureen (January xix, 2006). "Interview with Gillian Anderson". Chicago Tribune . Retrieved June 29, 2009.
19. ^ Edwards, p.13
20. ^ Lowry, pp.ten–12
21. ^ Lovece, pp.3–4
22. ^ Lowry, p.17
23. ^ Meisler, pp. 18–nineteen
24. ^ Gradnitzer and Pittson, p.16
25. ^ Lowry, p.54
26. ^ Carter, Chris. "Casting Mulder". BBC News . Retrieved July 12, 2009.
27. ^ Edwards, p.xix
28. ^ Lovece, p.sixteen
29. ^ Lowry, pp.15–17
30. ^ Lovece, p.26
31. ^ Lowry, p.71
32. ^ Stark, Jeff (March thirteen, 2001). "The enemies are capitalists". Salon.com . Retrieved June 29, 2009.
33. ^ Lowry, p.21
34. ^ ^{a b} Mat Beck, Chris Carter, Howard Gordon, Dean Haglund, David Nutter, Paul Rawbin, Daniel Sackheim, Mark Snow. The Truth Well-nigh Flavour One (DVD). Fox.
35. ^ Lowry, pp.120–122
36. ^ Lowry, pp.267–268
37. ^ Lowry, p.157
38. ^ Chris Carter et al. The X-Files Mythology, Volume 1 (DVD). Play a joke on.
39. ^ Delasara, p. 9
40. ^ ^{a b c} The Ten-Files: The Complete First Flavour (booklet). Robert Mandel, et al. Fox. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
41. ^ "Smooth Start for 'seaQuest DSV' – Nielsen Ratings". Usa Today. September 15, 1993. p. 03D.
42. ^ "Nielsen Ratings". Us Today. September 22, 1993. p. D3.
43. ^ "'Dave's World,' 'Harts' Help CBS to Victory – Nielsen Ratings". USA Today. September 29, 1993. p. D3.
44. ^ "Nielsen Ratings". USA Today. October half-dozen, 1993. p. D3.
45. ^ "New Shows Choice Upwardly Steam in ABC Win – Nielsen Ratings". USA Today. October 18, 1993. p. D3.
46. ^ "World Series Earns CBS a Win – Nielsen Ratings". USA Today. October 20, 1993. p. D3.
47. ^ "ABC Usurps CBS equally No. ane – Nielsen Ratings". USA Today. Nov 3, 1993. p. D3.
48. ^ "Nielsen Ratings". USA Today. Nov 10, 1993. p. D3.
49. ^ "Walters Gives ABC a Special Heave – Nielsen Ratings". USA Today. November 17, 1993. p. D3.
50. ^ "CBS Sweeps Back to Top – Nielsen Ratings". USA Today. Nov 24, 1993. p. D3.
51. ^ "Midler's 'Gypsy' Coming Up Roses for CBS – Nielsen Ratings". U.s. Today. December fifteen, 1993. p. D3.
52. ^ "ABC on Summit For second Calendar week – Nielsen Ratings". Usa Today. Dec 22, 1993. p. D3.
53. ^ "'Improvement' Leads ABC Charge – Nielsen Ratings". USA Today. January 12, 1994. p. D3.
54. ^ "Nielsen Ratings". United states Today. January 26, 1994. p. D3.
55. ^ "Lilith Brings Ratings to 'Fraiser' – Nielsen Ratings". USA Today. Feb 9, 1994. p. D3.
56. ^ "Nielsen Ratings". USA Today. February 17, 1994. p. D3.
57. ^ "Wednesday Wins for ABC – Nielsen Ratings". U.s.a. Today. March 24, 1994. p. D3.
58. ^ "ABC Gets Help From 'These Friends' – Nielsen Ratings". Usa Today. Apr 6, 1994. p. D3.
59. ^ "Nielsen Ratings". USA Today. April twenty, 1994. p. D3.
60. ^ "Nielsen Ratings". Us Today. April 27, 1994. p. D3.
61. ^ "Nielsen Ratings". USA Today. May 4, 1994. p. D3.
62. ^ "ABC Keeps Hammering Away – Nielsen Ratings". USA Today. May 11, 1994. p. D3.
63. ^ "Nielsen Ratings". U.s.a. Today. May eighteen, 1994. p. D3.
64. ^ ^{a b} Lowry (1996), p. 248
65. ^ ^{a b c} Lowry, pp.19–21
66. ^ "ABC Hits a 'Home' Run". Entertainment Weekly. Apr 28, 1995. Retrieved December 9, 2021.
67. ^ Powers, William F. (September 17, 1995). "Ten-Files: Signs of Intelligent Life—Cult Favorite Gains a Following Among the Masses". The Washington Post.
68. ^ Lowry, pp.251–252
69. ^ "The X-Files". Entertainment Weekly. October 8, 1993. Retrieved December 9, 2021.
70. ^ Scott, Tony (September 10, 1993). "The 10-Files Friday". Diverseness . Retrieved Dec 9, 2021.
71. ^ "X-Files – The Complete First Season". Rotten Tomatoes . Retrieved September 13, 2011.
72. ^ "Critic Reviews for The X-Files Flavor one". Metacritic . Retrieved Apr 17, 2013.
73. ^ Miksch, Mike (May 9, 2000). "X-Files Season One Gift Pack". IGN . Retrieved March 19, 2012.
74. ^ Chase, Pecker (April 12, 2000). "DVD Review – The Ten-Files: The Complete First Season". The Digital Bits. Archived from the original on November 12, 2013.
75. ^ Johns, Anna (July 9, 2006). "The X-Files: The Jersey Devil". Idiot box Squad. Archived from the original on July 19, 2006.
76. ^ "A Look Dorsum on Some of the Best Stand-Lonely Episodes From The X-Files Series". The Vancouver Dominicus. July 25, 2008. Archived from the original on January 18, 2012. Retrieved September xiii, 2011.
77. ^ Phipps, Keith (July five, 2008). "The X-Files: "Ghost In The Motorcar" / "Ice" / "Infinite"". The A.V. Club . Retrieved December nine, 2021.
78. ^ "The X-Files". Emmys.com. Retrieved November 27, 2011.

Bibliography [edit]

• Bush, Michelle (2008). Myth-X. Lulu. ISBN978-one-4357-4688-6.
• Cantor, Paul A (2003). Gilligan Unbound: Pop Culture in the Age of Globalization. Rowman & Littlefield. ISBN0-7425-0779-3.
• Delasara, January (2000). X-Files Confidential. PopLit, PopCult and The 10-Files: A Critical Exploration. ISBN0-7864-0789-1.
• Edwards, Ted (1996). X-Files Confidential. Trivial, Chocolate-brown and Company. ISBN0-316-21808-1.
• Gradnitzer, Louisa; Pittson, Todd (1999). X Marks the Spot: On Location with The X-Files. Arsenal Lurid Press. ISBNi-55152-066-four.
• Lovece, Frank (1996). The X-Files Declassified. Citadel Press. ISBN0-8065-1745-Ten.
• Lowry, Brian (1995). The Truth is Out There: The Official Guide to the X-Files . Harper Prism. ISBN0-06-105330-9.
• Meisler, Andy (2000). The Terminate and the Beginning: The Official Guide to the X-Files Book 5. Harper Prism. ISBN0-06-107595-7.

External links [edit]

• The X-Files at IMDb

najarinizing.blogspot.com

Source: https://en.wikipedia.org/wiki/The_X-Files_(season_1)

Share this post